<…> the music world is taking notice of this extraordinary artist, who combines the power of Martha Argerich with the tonal sensibility of Mikhail Pletnev – the latter was also her teacher <…> it is fascinating how she manages to give each voice in a complex interweaving of multiple voices its own colour and intensity. At times, it is as if one is hearing an ensemble of different instruments, such as in the beautiful Prelude Op. 32 No. 5 which, under Chochieva’s hands, seems to transform into a nostalgic flute elegy over a gentle harp accompaniment. This ability to differentiate timbres also benefits her in the “Corelli Variations,” where she sometimes suggests the tonal intimacy of a trio, at other times the monumentality of a symphony orchestra.”
– Berliner Morgenpost, Mario-Felix Vogt