Listening to the album, it becomes clear after a few bars that Chochieva’s Mozart can stand comparison with the best and does not have to hide from greats like Maria João Pires or Mitsuko Uchida. (…) Chochieva never repeats phrases in exactly the same way, there are always new nuances and shadings, without this sounding precious. (…) In Scriabin’s Tenth (and last) Sonata she achieves brilliant climaxes over the shortest distance without becoming hectic, supported in her efforts by the wonderfully balanced-sounding Bechstein concert grand.