Her fingerwork in a late, brief and searching Mozart Gigue is pure fortepiano fantasy, and she opens the glorious Unser dummer Pöbel meint Variations with a perfectly straight face before the expression breaks into laughter and smiles, with a superbly articulated cross-hand Variation 8 to recall the remarkable caprice of her Chopin Etudes(on Piano Classics). As a one-time pupil of Pletnev. Zlata explores shade after shade of pianissimo dynamics in Scriabin’s Tenth Sonata. No reservations.